ANANDAVARDHANA’S DHVANYALOKA Czliically edited Sanskrit Text, revised English iranslafion, Infroducfion and Holes dhyanyaloka of Anandavardhana. Dhvanyāloka of Ānandavardhana with the Locana of Abhinavagupta, and the Bālapriyādivyāñjana of Pandit Mahadeva Sastri. Edited by Pandit. Dhvanyaloka of Anandavardhana (Uddyota I) – Bishnupada Bhattacharya – Free ebook download as PDF File .pdf), Text File .txt) or read book online for free.

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So this is an example of svatah-sambhavi-arthashaktimoola-dhvani. Therefore the suggested sense is subservient to the conventional meaning.

Dhvanyaloa such cases, Karuna is not prominent. According to Mammata, the author of Kaavya Prakaasha, which is a later work ,three factors become one cause hetu of poetry. Rajashekara in Kaavya Meemaamsaa mentions about Saadrushyaa showing some 16 types with examples.

For instance, seasonal differences bnng about differences in atmosphere, sky, water and such other insentient objects With reference to sentient beings also, feelings of anxiety, etc. The limbs cannot be thought of as body.

The rasaadi Dhvani will be different and better than the rasavadaadyalamkaara.


He describes the season which causes more pain for the dhvanyalka lovers. Here atisayoku is ttie ngu upama is the one suggested. The presentation and approach would change between the poets. According to him, only Alamkaara Dhvani will be shabda-shakti-moola-dhvani and not Vastu Dhvani.

Hence, logte two var. There is a general opinion that long compounds are not appropriate for Shrngaara.

In some cases, we indicate a meaning which is different from the primary meaning. For example, someone praised the simha that because of its tejas, it is invincible. Anandavardhanaa says in the 3rd chapter of Dhvanyaaloka that Guna and Sanghatana are different.

There are plenty of golden flowers in this world. When the suggested meaning is overtaken by the denoted word and meaning, that Kaavya is considered to be a Dhvani by the scholars.

At a specific point of time, all three of them come in one line.


anandavardjana The three Dhvani Virooda Vaadas are stated and the counter arguments are also provided to prove that Dhvani indeed exists. Only when there is inconsistency in the meaning, the lakshanaa is taken.

The Dhvanyaloka of Anandavardhana with the Locana of Abhinavagupta. – Free Online Library

The overall feeling is understood while going through the work, without having to analyze each aspect for identifying the specific bhaavaa there.

The king has a peaceful nature, his persona is difficult to be gauged, he has the high stature due to dyvanyaloka vamsha, he has mastered several weapons, his knowledge never goes awry, he dhvanyqloka rid of his foes easily, his hands are charming and always wet with the water being poured while giving gifts [daana]. At that moment, Shiva killed the demons.

It can be ignorable in certain rasas and it can even enhance the raudra-adi rasa.

Full text of “Dhvanyaloka Of Anandavardhana”

In this section, Anandavardhana clarifies the role of Alamkara in Dhvani poetry. Like the person who carries a lantern if he needs the light, in the same way, to be able to understand the vyangyaartha, the vaachyaartha is required. That meaning Rasadhvani alone is the soul of poetry.

His point of view is that Dhvani, in particular, Rasa Dhvani, is the soul of the poem. Her bosoms having no garland though garlanded by active attractive as it were, whom should they not amaze.

So it is not a new concept. Vishnu and his nails are ever enthusiastic to protect the devotees. Samarpakatvam is to have dhvanyalokq appropriate shabda and artha that is og for the specific rasa.

The poet has not stated why he looked at his heart. ananavardhana

When the above distinction from the aesthetic standpoint is nude, the fact will emerge that all theones of alankara girna etc, fonnulaied by rheloncjans of the past are confined to an elucidation of the beauty of the rCoa element alone Anandavardhana stales here that he has nothing hut respect for the work of the ancients, and that he will utilise the same wholeheartedly But it is clear that the real philosophy of poetry which is concerned with the soul begins at the point where ehvanyaloka early theories end Karika 4: The editorial annotations furnish the most complete exposition available of the history and content of these works.


In Meghadoota, the Anandabardhana is cursed to djvanyaloka away from his wife for one year. Sanghatana is the arrangement of words in poetry. Udayana recollects how those eyes of Vasavadatta used to create in him an impression of her anger, desire and helplessness.

Mitra Sammitaa Friendly advice. When we breathe out air on the mirror, the mirror dhvanyallka unclear. He agrees only in certain specific cases. Alamkara or figure of speech should be suggested or expressed without being told explicitly.

In most of the Parvaas it is mainly fight and hence Vira is a rasa.

These are the stipulations underlying the suggestiveness of a whole composition in respect of sentiments, etc. There are some film institute students who fail to become good actors]. The resemblance between two people like twins is acceptable since they have their own existence and specialty though they have some similar features. The characters have 3 types of prakruti — daivi prakruti, aasuree prakruti or maanavee prakruti. If lakshanaa is stated to be same as Dhvani, there will be athivyaapti and avyaapti doshaas.

There is no mastery demonstrated in the choice of words. The tears brought out of the audience indicate the success of the work. And fughis with moons not proud Though black m hue. A second person might think that Varada looked at his heart to compare Lakshmi with the lady.