GANASSI FONTEGARA PDF
Lettione seconda pur della prattica di sonare il violone d’arco da tasti, composta per Silvestro Ganassi dal Fontego desideroso nella pictura, la quale tratta. Donor challenge: Your generous donation will be matched 2-to-1 right now. Your $5 becomes $15! Dear Internet Archive Supporter,. I ask only. Silvestro Ganassi’s La Fontegara (Venice ), a treatise methodologically describing instrumental diminutions, still remains enigmatic. By offering a contextual.
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In a later passage, however, Ganassi makes it clear that the hair may be tensioned with the fingers in at least some circumstances, for example when playing chords to accompany a song:. Mexico has years, Jamaica has 95 years, Colombia has 80 years, and Guatemala and Samoa have 75 years.
Sylvestro Ganassi – La fontegara
His first treatise covers recorder playing: The revival of interest in historically aware musical performance has resulted in renewed interest in Ganassi’s writings.
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Information on the source of the scan is lacking. Views Read Edit View history. From Wikimedia Commons, the free media repository. Fanassi interpretations of this passage conclude that the bow is to be held without touching the hair,  whereas in later bow-holds the fingers tension the hair in order to allow louder or accented playing without the stick of the bow hitting the string.
File:Ganassi – Wikimedia Commons
English translation based on German edition published in This ganasi was last edited on 23 Novemberat Editor Hildemarie Peter Retrieved from ” https: Summary [ edit ] Description Ganassi fontegara. His second in two volumes is about the viola da gamba: Title Opera intitulata Fontegara, la guale insegna a sonare di flauto chon tutta l’arte opportuna a esso istrumento flntegara il diminuire il guale sara utile ad ogni istrumento di fiato et chorde: This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author’s life plus 70 years or less.
Opera intitulata Fontegara Venice, Men in art Silvestro Ganassi dal Fontego. IMSLP assumes no legal responsibility or liability for the consequences of downloading files that are not in the public domain in your ganxssi.
Methods ; Performance practice ; Writings ; Divisions ; Fontegzra recorder ; Scores featuring the recorder ; For 1 player ; Italian language. This is because the hairs on a longer bow would be less stretched, allowing one to draw the bow with less pressure on the strings while playing a chord.
You know that the bow is to be held with three fingers, that is to say the thumb, the index and middle fingers. The thumb and middle finger ensure, in holding the bow, that fontegarx does not fall, and the index finger serves to strengthen and stabilize it, keeping it on the strings fonetgara exerting more or less pressure according to the need.
Silvestro di Ganassi dal Fontegoalso given as Sylvestro di Ganassi dal FontegoSilvestro Ganasi dal Fontegoand Silvestro dontegara Fontego 1 January —  was a Venetian musician and author of two important ganasdi on instrumental technique. They cover both technicalities of playing and the subtleties of expression.
The following other wikis use this file: Work Title Opera intitulata Fontegara Alt ernative. There are some minor differences from the Forni Facsimile Edition based on the Bologna copycompare f. None [ force assignment ] First Pub lication. Contents 1 Performances 2 Sheet Music 2. The illustration from Regola Rubertina lower right, opposite appears to show this hold.
Sylvestro Ganassi – La fontegara – NaxosDirect
Ganassi’s Regola Rubertina is among the earliest sources of advice to the viol player on how to hold the bow. There is also guidance on ornamentation — passaggi. Opera intitulata Fontegara, la guale insegna a sonare di flauto chon fontegarra l’arte opportuna a esso istrumento massime il diminuire il guale sara utile ad ogni istrumento di fiato et chorde: From Wikipedia, the free encyclopedia.
Retrieved from ” https: Note that a few countries have copyright terms longer than 70 years: This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. I can say that if you wished to play a piece which is in four or five parts while singing the fifth, you would need to use a longer bow than is customarily used.